Hahnemühle Bamboo Mixed Media Experiment #Hahnemuhle_USA #zebrapen #ranger_ink #joggles

 There are some new kids on the block

and

they wanted to come out and play this week!

This play session started with some awesome

Bamboo Mixed Media paper from 

Hahnemühle!

The German paper company has been around since 1584!

On Hahnemühle's history page you will see the statement:

Paper Makes the Difference!

Truer words were never spoken.

 I recently received this Bamboo product 

from Hahnemühle to work with and review. 

Let's start with a few words about the paper.

Due to its design, Bamboo allows the color to flow beautifully, yet maintain its brilliance. 

Their website uses words like "high contrast" and "excellent color intensity" to describe this 125 pound mixed media wonder. 

It has a variety of uses including watercolor, acrylic and pastel techniques, drawing and mixed media.

This Bamboo pad was crying for color so of course I had to oblige! 

 The paper is 90% Bamboo fibre and 10% cotton rag.

It came to me in a pad of 25 sheets - glued along the two outer edges.

The purpose of the glue is to hold your wet product flat until dry. No warping, no curling.

And that is a good thing because I like to work with lots of water!

And lots of ink!

For this particular piece I pulled out Ranger Industries' new

Dylusions Shimmer Spray Inks.

Just released at Creativation, I got several bottles from

Joggles

to try because I love the other 

Dylusions Spray Inks so much!

For this project I used just two - 

Crushed Grape and Funky Fuchsia.

I began with a mop brush and a cup of water,

thoroughly soaking the paper.

Why not? Right?

 Then I sprayed on lots of the two colors

and let them run and blend into each other.

See where those runs and drips are?

That is where I used the heat gun to push the color

into lines to give contrast and places to tangle.

Once the piece was mostly dry,

I took the stencil you see and placed it on top of the color,

sprayed water across the top, 

then rolled a paper towel over the surface to pick up the excess color.

When you add water over these inks - it removes the color because the inks are not color fast.

Which means you can move them around to your heart's content. 

Then I used a heat gun to dry the paper well.

A palette knife allowed me to remove the page from the

Bamboo block of paper. 

I started tangling - what else? - Printemps with my 

Sarasa Fineliner from Zebra Pen, 

but I felt the color was too dark.

Yes, I could have sprayed more water and blotted up

color, 

but I wanted to see if I could lighten the 

background by using more product. 

Because. Why not.

Hehehehe!

 I started with these three colors and two pill bottle caps.

I spread some paint in a styrofoam plate and made paint rings on the background.

I had forgotten that the Dylusions sprays are not color fast and 

my paint rings turned pink.

No bueno.

(If they had been teal I would probably have 

been ok with that.)

I needed to lock in that color so I could still work wet.

 No photo for this, but I pulled out my handy dandy can of 

Workable Fixative and sprayed it all over the paper.

Then because the fumes about knocked me out,

we left and went out for breakfast!

When we got home I took a Golden Fluid Acrylic 

and mixed it with water on my craft mat.

With a splatter brush, I just flicked that 

awesome iridescent pearl 

all over the paper.

And my computer screen 

and window 

and glass desktop. 

But, I was starting to like this a bit more.

 Still too dark, though.

Somewhere along the way I started adding some

string roses and spiral roses in black and white,

then I remembered I was working on mixed media paper so I could 

stray away and add more product.

That white is courtesy of a Uni-ball Signo gel pen.

 I love this green gold color and my skinny little brayer!

A little acrylic on a plate, mush it around with a brayer,

then layer some here and there over the paper. 

Easy peasy!

Hey, wait! What was that white thingy in my desk drawer?

The spindle protector on a DVD stack that I had saved!

Makes an awesome stamp tapped into some color to add 

a couple highlight rings.

Hahaha!

Titanium white to the rescue.

Brayer here.

Brayer there.

Voila! Not so dark everywhere.

Just a nice even contrast and balance. 

 But there was still a decent amount of darkness,

so I took a Kleenex because it was close by

and dabbed it into the excess white on my plate.

Makes such great texture on my page!

Might as well use that styrofoam ring some more, too!

 I don't believe this stamp and stencil set from Ranger is new,

but it is new to me. 

My original thought was to stamp in black about half way up the line of leaves, then use a white pen to trace the top half using the stencil. 

Nice plan, too bad I forgot.

 So I used the white pen to go over the vines. 

OK, that worked great to alleviate some of that darkness.

 I just felt like the page was missing something 

to tie it all together.

So out came some Itty Bitty ATC Stencils 

from Joggles. 

Something to keep the "flow" going.

 So what did I do? 

I added some of the dark back in via my

Gothic Purple StazOn ink pad.

I used a finger dabber sponge and pounced 

the color through the stencil.

 Through three stencils actually. 

At this point I guess I forgot to take photos.

I also used a couple Sharpie paint pens to 

highlight the rings, and to add dimension.

 Some of my previous tangles were so obliterated, 

I wanted to pull parts of a few back out.

Enter the Zensations Brush Pen from Zebra Pen. 

I traced back over the leaves and some of the roses.

I used the white Uni-Ball Signo pen to retrace some of the white roses.

A closer view.

 I felt like I was finished,

but I really thought that one string rose 

to the right was too dark now.

That brush pen worked a little too well. 

Hahaha!

So I pulled my splatter brush back out,

and watered down some pearl and some copper

and flecked bits of color all across the page.

Especially over that one black string rose.

And (again. sigh) said computer screen,

desktop and this time my cell phone.

But at least I love this now.

And those other things are cleaned up 

and back to new!

So, what do I think about the 

Bamboo Mixed Media paper from 

Hahnemühle 

for my kind of mixed media mayhem?

I love it!

Everything worked great and no matter how much product I added - 

and I added a bunch - 

the paper stayed flat (even out of the pad) 

and held up great!

When I read that it was j u s t 125 pounds, 

I wasn't sure what to expect. 

I normally work on 140 pounds and higher 

and have lots of warping.

And curling. 

I've learned how to flatten it back out.

Mostly.

But why waste that time if I don't have to?

I could be painting something else.

The Bamboo stayed flat.

It took at least 21 layers of paint, 

spray ink, pens, acrylics, stamp pads, 

and it came out looking fantastic!

The paper has a little texture to it,

not as bumpy as cold press watercolor paper,

but also not smooth like hot press paper.

That little bit of texture helped the colors puddle 

and mix in the first step.

No problems with my pen work.

Everything worked awesomely and 

I could not be happier!!!

Thank you, Carol, and Hahnemühle 

for entrusting me with your product!

You pretty much rock!

If you are new to my blog, here is an important

piece of information. 

PINK = link.

Distress Oxides - It's a New Thing

 Distress oxide inks from Ranger.

They are new for me. And I like them a whole lot!

These are my first experimental backgrounds.

 It was a simple process, really.

I worked directly on a craft mat.

In case you don't have one of these -

you need one!

Available at Michael's, or Hobby Lobby,

anywhere Ranger products are sold -

they are a type of plastic mat that colors don't 

permanently adhere to.

Anytime I work with wet media, 

I work on a craft mat.

When I am finished all the color that got on 

the craft wipes off with a paper towel,

or a baby wipe. 

No stains.

 To make these tiles, I stamped the distress oxide

ink pads directly onto the craft mat, then

spritzed them with water.

After that it was a simple matter to just

rub the tile into and through and over

the wet, colored area.

 Then I sat the tiles aside to dry.

The oxide ink is permanent once it dries.

For a couple of the tiles - particularly this one above -

if I didn't like the results, I just put more color on 

my craft mat, wet it, and re-pulled the tile

through the color.

You can tap it down into splotches of color,

if you like that better.

Then sit it aside to dry.

 The colors aren't as bright as I normally like, 

but not everyone likes their colors as bright as I do.

 Before I tangle on these, I will buff them with a

paper towel to remove any residual, loose ink.

I don't feel any to the touch,

but it never hurts.

I am sure there are many other ways to use these distress oxide inks. Hopefully I will share more with you  in the near future!

New Colors from Rangers - Alcohol Inks

Fun news!!!

Tim Holtz and Rangers have come out with

six new alcohol ink colors!

I received my set yesterday and went

right to playing!

Of course I used Yupo paper to work on.

All pieces are 5" x 7".

Above you see the new colors: 

amethyst, flamingo, and turquoise.

Old colors used: shell pink and aqua.

 These colors seem to do a few things the older

ones don't. At least for me they did.

Look at that top blob of green on the left -

looks like the bottom of a shoe -

that was from one drop of color.

I have no idea why it split like it did,

but I love it anyway.

And then there is that double edged ring

of orange in the center of the paper.

Yeah, that was strange.

New colors used: valencia, patina, and limeade.

Old colors added: lemonade and shell pink.

 With this one I had something happen that 

doesn't usually happen . . . mud.

I dropped my colors onto the yupo

and noticed that whole central section 

looked like a puddle of mud.

I took a paper towel, placed it over the

paper, and gently pressed down.

It lifted the mud and left this color behind.

I love it.

New colors used: patina, turquoise, and flamingo.

Old color: shell pink.

Probably my favorite from the afternoon To make these simple bubble drop pieces of art all you do is follow two easy rules. 1) Do not touch the yupo paper with your skin. Hold it with a paper towel. Oils from your skin cause the ink not to adhere. 2) Drop single 'drops of color' from the bottles. One at a time put down your first color. I usually work in odd numbers and place  five drops of the first color. (Please don't count - hahaha! - it probably won't work on this one.) Repeat with other colors until you have  the result you want.
You will know when your piece of art is finished. It will sing to you and say, "Stop!" The colors run and push each other out of the way creating some beautiful pattening that you couldn't repeat if you tried.
New colors: patina and turquoise. Old color: cool peri.
And there are the new Ranger Alcohol Ink colors. What a fun way to spend 15 minutes. Favorite - patina. Least favorite - valencia. I will do a more complete product review soon. SaveSave